When I fell in love with a song, I always tried to translate it and quenched my thirst. If I loved it so dearly, I also wrote about it. And now, even though I have not written about this song as yet, and I am going to write about it now, I am not sure if the respect for this song is going to die down so easily… Honestly, I am so madly in love with this song that I am feeling so bad that I cannot translate it one more time!
Out of the blue, the thought to listen to it and make it fill my senses bloomed on a very tired night, when I was trying to keep a guard on myself and that is something that I am not going to talk about here, because it is going to be out of context. In fact, the song actually managed to hijack my concentration from a thing that has been holding my mind captive for days together now. However, without much digression, let me say the song that I am talking about. But before I plunge, I must say that music and writing has again come to my rescue.
The translation was dated Nov 23, 2011. The rediscovery is happening almost 5 years later. And I just discovered that I had written, ‘Childlike Joy’, when I had attempted to translate this song then. No wonder…! Well, I am talking about my fondness for this song.
So what is so special about this song? OK. So which song is it that is robbing me of much needed sleep… It is ‘Kadhal Vaithu’ from the movie, Deepavali.
First off, I think it is the verses, and the next two things that would go in hand would be the voice and the music. I am not really going to talk about the lyrics here because I think I have done justice to it. So, the next best thing is the voice. Vijay Yesudas literally dignifies this song despite a few shortcomings that exist in every song, which are a few necessary evil things, either to fill the time and space, and the void. He is so sincere, so matter of fact, so soaked in love, elated, so endearing and passionate, in that order from the moment he starts singing first word of the song. And then he goes off in the tone of a story teller, and then becomes a person who is so love sunk. And then, the music takes off…
The simple guitar chords that begin the song, the amazing violin in the early to the middle portion of the song, the sarangi in the later half, the brief and subtle piano at the end, and the closing violin that signs off the song epitomizes the way a composer can use the instruments so flawlessly.
Dated: Feb 16, 2016