I consider the title of this blog as one of the most intellectual creations of this blogger. I am happy calling it a partial-anagram. Few have succeeded in cracking the same and I am sure it will be a morale booster. Happy Cracking!!!
Friday, September 23, 2011
Food for thought...
Just behind me,
the blender was taking the life out of the fruits.
It was not the scream of the mixer,
but
the shrill of the fruits
like
the bleat of the butchered animals.
Monday, September 12, 2011
The Wind Rogue
This time...The rains did not rain.It was swept off its feet.Not by romance but by force.The clouds budded them finebut it could not bloom.This time...The clouds did not float.It was being shoved around.It was being chasedand could not save its grace.Because,the wind played rogueteasing and rampaging,the clouds and the rain.And when it was all over,darkness loomed...
Labels:
First few,
just a few words,
Rain,
work of art
Location:
Chennai, Tamil Nadu, India
Tuesday, September 06, 2011
Translation of Nee Korinaal from 180
The five-minute wonder!
Nee Korinaal is yet another beauty! Alright, in terms of what this time? A lyrical beauty, a visual beauty, and a musical treat. The format of the song just swept me off my feet: each line standing on its own, with absolutely no connection between its siblings and still making it a great song. The song has the male and female voices repeating a verse, each in a normal pitch and the second time, in a high and longish pitch. Seems like someone reads a secret the first time and the next time, revives it with their vocals. This happens for all the verses, expect the opening verse. A great song structure put in action by the music director, Sharreth. It is a wonder in so many senses--you must listen to appreciate the nuances of the song. In fact, the music arrangement compliments the lyrics as well as the voice, taking the lead only where required.
And Karthik and Swetha Mohan have just made this song scintillate, in terms of the way it has been sung. Especially the brilliant Swetha for the way she emotes, playing it low and high wherever and whenever required. Though Karthik gives a great opening with his endearing questions, Swetha has the last laugh. She is relentless even in places where she has to go on a low but steady and a breathless pitch, and gradually has to flight up for the re-opening verse that she sings after that. A perfect 10, like Nadia Comaneci, I would say.
So here is me gratifying my impulse--I dont know why, I often feel I want to devour the song, everytime I listen to this chirpy song--the translation of Nee Korinal from the movie 180 (Nootrenbadhu).
If you ask for, my sweetheart,
won't the sky change, forever?
won't the clouds patter, incessantly?
Nee Korinaal is yet another beauty! Alright, in terms of what this time? A lyrical beauty, a visual beauty, and a musical treat. The format of the song just swept me off my feet: each line standing on its own, with absolutely no connection between its siblings and still making it a great song. The song has the male and female voices repeating a verse, each in a normal pitch and the second time, in a high and longish pitch. Seems like someone reads a secret the first time and the next time, revives it with their vocals. This happens for all the verses, expect the opening verse. A great song structure put in action by the music director, Sharreth. It is a wonder in so many senses--you must listen to appreciate the nuances of the song. In fact, the music arrangement compliments the lyrics as well as the voice, taking the lead only where required.
And Karthik and Swetha Mohan have just made this song scintillate, in terms of the way it has been sung. Especially the brilliant Swetha for the way she emotes, playing it low and high wherever and whenever required. Though Karthik gives a great opening with his endearing questions, Swetha has the last laugh. She is relentless even in places where she has to go on a low but steady and a breathless pitch, and gradually has to flight up for the re-opening verse that she sings after that. A perfect 10, like Nadia Comaneci, I would say.
So here is me gratifying my impulse--I dont know why, I often feel I want to devour the song, everytime I listen to this chirpy song--the translation of Nee Korinal from the movie 180 (Nootrenbadhu).
If you ask for, my sweetheart,
won't the sky change, forever?
won't the clouds patter, incessantly?
You seared my soul, my sunshine,
yet I see no fire around...
Now, don't shut your windows, oh ladylove,
and shy away from me.
You run away, oh poetry in motion,
from me, steadfast yet still...
Am I of the recluse clan to not caress you,
oh beautiful,
even after I set my eyes on you?
You are my reflecting self, oh silken flower,
I pray, do not wither away.
Your intoxicating lips invite me, oh alluring!
Come, let me have a sip of you.
yet I see no fire around...
Now, don't shut your windows, oh ladylove,
and shy away from me.
You run away, oh poetry in motion,
from me, steadfast yet still...
Am I of the recluse clan to not caress you,
oh beautiful,
even after I set my eyes on you?
You are my reflecting self, oh silken flower,
I pray, do not wither away.
Your intoxicating lips invite me, oh alluring!
Come, let me have a sip of you.
Thursday, August 18, 2011
Success
To laugh often and much;~ inaccurately attributed to Ralph Waldo Emerson
To win the respect of intelligent people and the affection of children;
To earn the appreciation of honest critics and endure the betrayal of false friends;
To appreciate beauty, to find the best in others;
To leave the world a bit better, whether by a healthy child, a garden patch or a redeemed social condition;
To know even one life has breathed easier because you have lived.
This is to have succeeded.
(http://www.transcendentalists.com/success.htm)
Thursday, February 24, 2011
Notes
Somehow liked this quote a lot! It makes a lot of sense but we hardly put it to practice...
The palest ink is better than the best memory. - Chinese Proverb
Friday, January 28, 2011
Mazhai Varum... from Veppam - My rendition / translation
My eyes see the harbinger of rains,but my heart seems to be drenching,is this love or loss?
As I see the times of our togetherness unfurl before me,I seem to be losing grip of the ground under me,why is this so?
My eyes that brighten as I lean on your shoulders,now look forlorn, looking for you.The flowers that bloom by our path,now look dismayed, waiting for your arrival.
The seed of our juvenile lovenow has grown full-blown, all by itselfAnd, when at the bloom of a new flower,I wonder who has plucked it.
I came by, tracing your footsteps,Now I seem to have lost it and heading nowhere...
I had asked for beautiful times,and someone just blessed me with tears in my eyes.I had asked for the magical rainbows,and someone just blessed my journey with sorrows.
This love is excruciating,it burns me down together with my soul.
Thursday, January 13, 2011
Mazhai Varum... from Veppam
Yet another warm song from Joshua Shridhar and Na Muthukumar! It has a simple and steady BGM flowing through the entire song with the violin, flute, and cello interludes adding strength. Suzanne D'Mello does her part well in creating an unrequited-love-song feel to it. A lady love's unrequited love song is of course extra-special! Suzzane's version has a mix of solitude, passion, fervency, and longing. I did understand that it is a mellowed-down voice that is singing Mazhai Varum and her voice might sound great for a power-packed song. All these were what I had with me, to write, until I Google-ed her out. After that, it was surprises all the way...
What I did not know was that she is the voice behind Latika's theme and Dreams on fire from Slumdog Millionaire, Hosanna from Vinnaithaandi Varuvaayaa, and to my greatest surprise, Nalamdhaana from Silambattam. All these were surprises because, I have listened to each more than a thousand times; yet I could not get to appreciate her all these while. Each of these songs has a completely different genre and she has such grace in her voice in softer songs and power in the rest. But then, the inconsistency in the song credits makes an impression that they are all different people all together. The various names that appear in the credits are Suzie Q, Suzzane, and Suzzane D'Mello. Of course, she has a huge list of hit songs under the Bollywood category.
And for a singer of non-native tongue, her pronunciation of Tamil, in this song, is good. Her strengths are certainly the nuances she brings to the song and her humming just takes the song to a different plane. At the places where she goes too deeply husky, it gives the exact feel for Mazhai Varum. In this song, she supresses her popular RnB tones, and does a casual and light singing and that makes her voice sound a lot sweeter and younger. Something like how Suchitra sounded when she sang Tharai Erangiya from Eeram. Talking about Tharai Erangiya song, it was another song that I fell in love with instantly, for its simplicity, innocence, and sweetness. Anyways, I wanted to talk about just the Mazhai Varum song, giving due credits to each; but the realization of Suzzane's identity digressed the intent of this post!
What I did not know was that she is the voice behind Latika's theme and Dreams on fire from Slumdog Millionaire, Hosanna from Vinnaithaandi Varuvaayaa, and to my greatest surprise, Nalamdhaana from Silambattam. All these were surprises because, I have listened to each more than a thousand times; yet I could not get to appreciate her all these while. Each of these songs has a completely different genre and she has such grace in her voice in softer songs and power in the rest. But then, the inconsistency in the song credits makes an impression that they are all different people all together. The various names that appear in the credits are Suzie Q, Suzzane, and Suzzane D'Mello. Of course, she has a huge list of hit songs under the Bollywood category.
And for a singer of non-native tongue, her pronunciation of Tamil, in this song, is good. Her strengths are certainly the nuances she brings to the song and her humming just takes the song to a different plane. At the places where she goes too deeply husky, it gives the exact feel for Mazhai Varum. In this song, she supresses her popular RnB tones, and does a casual and light singing and that makes her voice sound a lot sweeter and younger. Something like how Suchitra sounded when she sang Tharai Erangiya from Eeram. Talking about Tharai Erangiya song, it was another song that I fell in love with instantly, for its simplicity, innocence, and sweetness. Anyways, I wanted to talk about just the Mazhai Varum song, giving due credits to each; but the realization of Suzzane's identity digressed the intent of this post!
Friday, January 07, 2011
How to name it?
What do I call it,
if I still feel the warmth
you bestowed on me, ages ago...,
When I have won
the war waged by
my failing memory,
fate, time, and distance,
the charm of new relationships,
and
life-changing events
such as marriage and parenthood...?
Sunday, January 02, 2011
Quotes as Commandments for the New Year
Be fit for more than the thing you are now doing. Let everyone know that you have a reserve in yourself; that you have more power than you are now using. If you are not too large for the place you occupy, you are too small for it.
- James A. Garfield
Be master of your petty annoyances and conserve your energies for the big, worthwhile things. It isn't the mountain ahead that wears you out - it's the grain of sand in your shoe.
- Robert Service
Monday, December 27, 2010
To the children's teachers...
The piece below has been popularly referred to as Lincoln's letter to his son's teacher. There are sources that deny this, though. However it may be, I think of it as one of the best writings that I have come across till now. A few others are If (Rudyard Kipling), and Success (misattributed to Ralph Waldo Emerson).
He will have to learn, I know,
that all men are not just,
all men are not true.
But teach him also that
for every scoundrel there is a hero;
that for every selfish politician,
there is a dedicated leader...
Teach him for every enemy there is a friend,
Steer him away from envy,
if you can,
teach him the secret of
quiet laughter.
Let him learn early that
the bullies are the easiest to lick...
Teach him, if you can,
the wonder of books...
But also give him quiet time
to ponder the eternal mystery of birds in the sky,
bees in the sun,
and the flowers on a green hillside.
In the school teach him
it is far honourable to fail
than to cheat...
Teach him to have faith
in his own ideas,
even if everyone tells him
they are wrong...
Teach him to be gentle
with gentle people,
and tough with the tough.
Try to give my son
the strength not to follow the crowd
when everyone is getting on the band wagon...
Teach him to listen to all men...
but teach him also to filter
all he hears on a screen of truth,
and take only the good
that comes through.
Teach him if you can,
how to laugh when he is sad...
Teach him there is no shame in tears,
Teach him to scoff at cynics
and to beware of too much sweetness...
Teach him to sell his brawn
and brain to the highest bidders
but never to put a price-tag
on his heart and soul.
Teach him to close his ears
to a howling mob
and to stand and fight
if he thinks he’s right.
Treat him gently,
but do not cuddle him,
because only the test
of fire makes fine steel.
Let him have the courage
to be impatient...
let him have the patience to be brave.
Teach him always
to have sublime faith in himself,
because then he will have
sublime faith in mankind.
This is a big order,
but see what you can do...
He is such a fine little fellow,
my son!
Tuesday, October 05, 2010
Remembering 'Don't speak'
You and me
We used to be together
Everyday together always
I really feel
That I'm losing my best friend
I can't believe
This could be the end
It looks as though you're letting go
And if it's real
Well I don't want to know
Don't speak
I know just what you're saying
So please stop explaining
Don't tell me cause it hurts
Don't speak
I know what you're thinking
I don't need your reasons
Don't tell me cause it hurts
Our memories
Well, they can be inviting
But some are altogether
Mighty frightening
As we die, both you and I
With my head in my hands
I sit and cry
Don't speak
I know just what you're saying
So please stop explaining
Don't tell me cause it hurts (no, no, no)
Don't speak
I know what you're thinking
I don't need your reasons
Don't tell me cause it hurts
It's all ending
I gotta stop pretending who we are...
You and me
I can see us dying...are we?
Don't speak
I know just what you're saying
So please stop explaining
Don't tell me cause it hurts (no, no, no)
Don't speak
I know what you're thinking
I don't need your reasons
Don't tell me cause it hurts
Don't tell me cause it hurts!
I know what you're saying
So please stop explaining
Don't speak,
don't speak,
don't speak,
oh I know what you're thinking
And I don't need your reasons
I know you're good,
I know you're good,
I know you're real good
Oh, la la la la la la La la la la la la
Don't, Don't, uh-huh Hush, hush darlin'
Hush, hush darlin' Hush, hush
don't tell me tell me cause it hurts
Hush, hush darlin' Hush, hush darlin'
Hush, hush don't tell me tell me cause it hurts.
~ Eric Stefani, Gwen Stefani
We used to be together
Everyday together always
I really feel
That I'm losing my best friend
I can't believe
This could be the end
It looks as though you're letting go
And if it's real
Well I don't want to know
Don't speak
I know just what you're saying
So please stop explaining
Don't tell me cause it hurts
Don't speak
I know what you're thinking
I don't need your reasons
Don't tell me cause it hurts
Our memories
Well, they can be inviting
But some are altogether
Mighty frightening
As we die, both you and I
With my head in my hands
I sit and cry
Don't speak
I know just what you're saying
So please stop explaining
Don't tell me cause it hurts (no, no, no)
Don't speak
I know what you're thinking
I don't need your reasons
Don't tell me cause it hurts
It's all ending
I gotta stop pretending who we are...
You and me
I can see us dying...are we?
Don't speak
I know just what you're saying
So please stop explaining
Don't tell me cause it hurts (no, no, no)
Don't speak
I know what you're thinking
I don't need your reasons
Don't tell me cause it hurts
Don't tell me cause it hurts!
I know what you're saying
So please stop explaining
Don't speak,
don't speak,
don't speak,
oh I know what you're thinking
And I don't need your reasons
I know you're good,
I know you're good,
I know you're real good
Oh, la la la la la la La la la la la la
Don't, Don't, uh-huh Hush, hush darlin'
Hush, hush darlin' Hush, hush
don't tell me tell me cause it hurts
Hush, hush darlin' Hush, hush darlin'
Hush, hush don't tell me tell me cause it hurts.
~ Eric Stefani, Gwen Stefani
Monday, July 12, 2010
Grief
I am now, A betrayer of the past that I ought to be faithful to and A slave of the misgiving present. Because, eventhough we are so-close-yet-so-far in this 'the longest period' that we have lived together after nearly a decade of solitude, The conversations between me and you is a festering wound... My words, the oozing pus, an outcome of the tussle, between our forgotten past and the unforgiving present. And often and everytime, I wish I could be sweeter to you overlooking your inabilities to foster the beautiful kinship that is now an almost was...
Saturday, December 05, 2009
Rain treasure
I see...
Hope on the burgeoning barren tree, Platinum on the waxy lotus platter, Gold at the tip of bamboo blades, Black diamond on the umbrellas, Emerald on the tender foliage, Sapphire on the washed skies, Garnet on the rose petals, Satin on smooth roads, Happiness in my mind, Warmth in my heart, Spirit in my life.
Saturday, November 21, 2009
Let it be...
Well, I don't have anything to say
but only helpless questions
for which I do have an answer, 'let it be'
The only answer that I found for myself,
the only convincing one,
in the music and words of 'Let it be'
Let it be, let it be, let it be, let it be,
Whisper words of wisdom, let it be.
Let it be, let it be, let it be, let it be,
Yeah, there will be an answer, let it be.
but only helpless questions
for which I do have an answer, 'let it be'
The only answer that I found for myself,
the only convincing one,
in the music and words of 'Let it be'
Let it be, let it be, let it be, let it be,
Whisper words of wisdom, let it be.
Let it be, let it be, let it be, let it be,
Yeah, there will be an answer, let it be.
When I find myself in times of trouble,
mother Mary comes to me,
speaking words of wisdom, 'let it be.'
And in my hour of darkness
she is standing right in front of me,
speaking words of wisdom, 'let it be.'
Let it be, let it be, let it be, let it be.
Whisper words of wisdom, let it be.
When the broken-hearted people
living in the world agree,
there will be an answer, let it be.
For though they may be parted
there is still a chance that they will see,
there will be an answer, let it be.
Let it be, let it be, let it be, let it be,
Yeah, there will be an answer, let it be.
Let it be, let it be, let it be, let it be,
Whisper words of wisdom, let it be.
Let it be, let it be, let it be, let it be,
Whisper words of wisdom, let it be.
And when the night is cloudy,
there is still a light that shines on me,
shine until tomorrow, let it be.
I wake up to the sound of music,
mother Mary comes to me,
speaking words of wisdom, let it be.
Let it be, let it be, let it be, Yeah let it be,
there will be an answer, let it be.
Let it be, let it be, let it be, Yeah let it be,
Whisper words of wisdom, let it be.
Thursday, June 04, 2009
Translation of Unnarugil Varugayil from Kalloori
You enthrall me with your presence,
You are the reason, my sweetheart...
that I am always at loss.
Ecstasy seeps into me,
And I feel I am on the brink of fame
Just when I hear your name.
My shadow departs me to joins yours;
I defy myself and I get reckless.
I briefly assay,
and my heart has nothing to say.
Though I succeed in staying faraway
from the thought of your eyes,
your heart conquers mine, and
I don't have the heart to resist.
I tell myself a million times
to deviate from the path of yours;
I deviate and yet you reach me!
Now, I can do nothing but to stop.
My soul, my persona, my ego
all seem to take a new form.
My friends speak, though,
my ears refuse to fall by the norm.
Make me understand...
Is this how love deals with agonies?
or are these consequences of my desire?
How I wish to experience with you
all my life's pain and joy again?
While I pine for you relentlessly
time slaves me and burns me into ashes,
through every second that it is with me.
I wish to speak a million words
right into your eyes,
I wish to grasp all the flowers
that blossom in my dreams,
I wish to find the abode of God
and decipher the mystery of love,
I wish to break my heart's shackles
and the need to conduct my senses...
All but in vain!
I seem to gallivant
in your eye's direction,
and wait forever, with all my faith
for your gaze to set onto my eyes.
You trouble me
like a lie locked in my heart,
Albeit, I still try to hide you
and yet, my eyes let me down...
You are the reason, my sweetheart...
that I am always at loss.
Ecstasy seeps into me,
And I feel I am on the brink of fame
Just when I hear your name.
My shadow departs me to joins yours;
I defy myself and I get reckless.
I briefly assay,
and my heart has nothing to say.
Though I succeed in staying faraway
from the thought of your eyes,
your heart conquers mine, and
I don't have the heart to resist.
I tell myself a million times
to deviate from the path of yours;
I deviate and yet you reach me!
Now, I can do nothing but to stop.
My soul, my persona, my ego
all seem to take a new form.
My friends speak, though,
my ears refuse to fall by the norm.
Make me understand...
Is this how love deals with agonies?
or are these consequences of my desire?
How I wish to experience with you
all my life's pain and joy again?
While I pine for you relentlessly
time slaves me and burns me into ashes,
through every second that it is with me.
I wish to speak a million words
right into your eyes,
I wish to grasp all the flowers
that blossom in my dreams,
I wish to find the abode of God
and decipher the mystery of love,
I wish to break my heart's shackles
and the need to conduct my senses...
All but in vain!
I seem to gallivant
in your eye's direction,
and wait forever, with all my faith
for your gaze to set onto my eyes.
You trouble me
like a lie locked in my heart,
Albeit, I still try to hide you
and yet, my eyes let me down...
Labels:
I Me Myself,
Lyrics,
Music,
Renditions,
Translations
Sunday, May 10, 2009
In love, but I win!
Six hours and a few days. This was the time that I spent trying to find a competent English lyrical replacement of this beautiful song 'Unnargil varugayil...' from the movie Kalloori.
The overall experience was even similar to falling in love. Initially, I felt an urge to win over the song by being able to come up with an equally competent English version. I attempted to pull through mindlessly, by sheer pride. But then, the initial excitement faded away, and I felt miserable as I could not do justice to the song. I realized that I was not being honest in my intention—of feeling the song and then be inspired to render. It tormented me and guilt prevailed. A few days later, after realizing the mistake that I did, and after listening to the song over and over again, I felt the pleasure and the charm of the song.
My previous renditions were Kannathil muthamittal, Minnalae, and Nee partha paarvaikku. Each song had extremes of emotions and it was quite easy for me get evoked. I mean we listen to a thousand love songs in a day. And to translate it, the song must be really special to be able to create the enthusiasm that you decide to invest some of your efforts and emotions. But this song is special—as in, even though it is a light love song, yet there was something unique about its rhythm and structure. The specialty of the structure of this song is that the pallavi repeats itself thrice in the beginning of the song and not a single verse repeats itself later.
The song flows through like a marathon and that too effortlessly. The best part is that the orchestration is very ordinary and yet the song stands apart for its simplicity, innovative structure, and the beautiful lyrics. Na Muthukumar has beautifully captured the plight of the ones in love and I am speechless to describe about Joushua Shridhar's tune to this song. The usual style of music in typical love songs or any song for that matter is that there are about three tunes: one for pallavi, one for the two saranams, and perhaps one more for the music between the pallavi and the saranam. With this song, I could not believe that there are at least about ten unique tunes in this one song!
I must say it was sheer pleasure working on the 'free translation' of the tamil lyrics of Unnarugil Varugayil from Kalloori. Coming soon...
Dated: May 04 - May 07, 2009
The overall experience was even similar to falling in love. Initially, I felt an urge to win over the song by being able to come up with an equally competent English version. I attempted to pull through mindlessly, by sheer pride. But then, the initial excitement faded away, and I felt miserable as I could not do justice to the song. I realized that I was not being honest in my intention—of feeling the song and then be inspired to render. It tormented me and guilt prevailed. A few days later, after realizing the mistake that I did, and after listening to the song over and over again, I felt the pleasure and the charm of the song.
My previous renditions were Kannathil muthamittal, Minnalae, and Nee partha paarvaikku. Each song had extremes of emotions and it was quite easy for me get evoked. I mean we listen to a thousand love songs in a day. And to translate it, the song must be really special to be able to create the enthusiasm that you decide to invest some of your efforts and emotions. But this song is special—as in, even though it is a light love song, yet there was something unique about its rhythm and structure. The specialty of the structure of this song is that the pallavi repeats itself thrice in the beginning of the song and not a single verse repeats itself later.
The song flows through like a marathon and that too effortlessly. The best part is that the orchestration is very ordinary and yet the song stands apart for its simplicity, innovative structure, and the beautiful lyrics. Na Muthukumar has beautifully captured the plight of the ones in love and I am speechless to describe about Joushua Shridhar's tune to this song. The usual style of music in typical love songs or any song for that matter is that there are about three tunes: one for pallavi, one for the two saranams, and perhaps one more for the music between the pallavi and the saranam. With this song, I could not believe that there are at least about ten unique tunes in this one song!
I must say it was sheer pleasure working on the 'free translation' of the tamil lyrics of Unnarugil Varugayil from Kalloori. Coming soon...
Dated: May 04 - May 07, 2009
Sunday, May 03, 2009
Yesterday...
Yesterday, all my troubles seemed so far away,
Now it looks as though they're here to stay,
Oh, I believe in yesterday.
Suddenly, I'm not half the man I used to be,
There's a shadow hanging over me,
Oh, yesterday came suddenly.
Why she had to go I don't know, she wouldn't say.
I said something wrong, now I long for yesterday...
Yesterday, love was such an easy game to play,
Now I need a place to hide away,
Oh, I believe in yesterday.
Why she had to go I don't know, she wouldn't say.
I said something wrong, now I long for yesterday...
Yesterday, love was such an easy game to play,
Now I need a place to hide away,
Oh, I believe in yesterday...
This is some late realization, I accept. But then, such an amazing, simple, beautiful, heart-wrenching song this is... by The Beatles. Something that would stay close to my heart and mind.
Saturday, March 07, 2009
Competition
The urge to compete with self or others is an instinctive and deeply rooted feeling in quite a number of individuals, especially kids. What is important is to identify what evokes the spirit of competition in them.
One morning, I was walking relatively relaxed towards the bus stop—relaxed enough to notice trivial things that often catches us unaware and lets us revel. There were the usual scenes of dog walkers, the man who cycles his son to the school and never forgets to draw the cross as he passes by the church, the cycle man who dutifully sits by the side of his for-hire cycles and wears the looks of a dad who has that many number of aging unmarried daughters, the grocer who never feels bored to sell the same goods to the same people with the same enthusiasm and rigor, the dry wood godown that has its casuarinas stacked all in order and the cold coal on the floor gathering some heat from the mellow morning sun, the work-in-progress lamppost around the corner of the road pretending to be a banyan tree with all the thick black wires hanging from top to bottom, the vengeful blacksmith who strikes the iron while its hot and the onlookers who see their instruments of work getting ready, the bustling government gym, and the me who is wondering about the oft-repeating dream where I run really hard across the connecting corridors of my school and climb down the stairs two steps at a time with utmost precision to reach the back gate of my school.
There was also this very small puny school boy sporting his green t-shirt with some white printed letters hiding behind his backpack, white shorts, his hair oiled and kempt—I can even hear the instructions that his mom gave him while combing his hair, the tightly pulled up socks that covered his shank, the matt-finished white shoes with a green band that ran all along the periphery of his shoes, walking brisk and carefree.
So it is me and small kid in the picture now... He would not have caught my attention if he had not tried to reach one of the strings hanging outside the petty shops that display their liabilities. This is what exactly happened: while he was walking, he thrust some pressure onto his toes and sprung up and touched the string with his head. I was amazed at this gesture that made me conclude that there is nothing unique about me when I try to reach the beams of a roof with my finger tips.
With just this act of his, he managed to evoke a smile and gather all my attention. At this stage, we were walking by the side of each other and this continued for about 20 seconds. Believe me—to maintain the same pace as mine, the kid really had to take at least twice as many steps that I took for the same duration. He was obviously trying to beat me. And the moment I realized him, I wanted to test his intent or rather, my intent. I increased my pace and went ahead and in the next a few seconds, I did really witness him inching closer to me. Finally, I let him feel good by lagging behind...
Saturday, November 29, 2008
November Rain
Bleached skies, blistered window panes
Dutiful warriors fighting the rain
armed with the spokes and black arch.
Incessant rains, incessant deaths.
Bleeding roads--bleeding green instead of red.
Helpless trees: do you ever repent
the death of a thousand leaves?
'cos you bring the rain
but the rains betray you...
Saturday, August 16, 2008
You are too good...
I am inside a moving train
that wont let me
hear, feel, or smell you
You are far away
blessing everyone with flourish
blooming the blushing pink to red
replenishing the reservoirs
reciprocating your love
to the tree-tops and the grass roots
waking the slumbering leaflets
with your gentle pats and taps
letting the satin clouds sweep and kiss
its lady love at the top of the mountains
you are too good,
despite the streaks of rashes
that you create on my window panes...
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